December 01, 2014

Five Lost Cities


                                                                   



 
Of course they are many more than five!

Our d­ay-to-day lives can often be prett­y monotonous. So it's no wonder that many of us find lost cities to be fascinating examples of mystery, adventure and sometimes fantasy. Whether these places have been made inaccessible by natural disaster, devastated by war or fabricated entirely, lost cities have sparked the imaginations of millions of would-be anthropologists and treasure-seekers around the world.

What exactly is a lost city? Well, the criteria are pretty loose. In some instances, the city was buried or destroyed. Many of the cities we commonly think of as lost weren't technically lost -- they were simply unknown to the Westerners who later "discovered" them and made them famous, according to Steven A. Wernke, assistant professor of anthropology at Vanderbilt University [source: Wernke]. Ironically, the lost cities that have left some of the heaviest imprints on popular culture are the ones that may not have even existed. This is probably because we associate them with ideas of fantastic wealth, enlightenment and prosperity.

There are legends and ruins of dozens of lost cities around the world. HowStuffWorks has compiled a list of five historically significant cities whose stories run the gamut from conflict and devastation to prosperity and intrigue

Pompeii
In practically the blink of an eye, the thriving community of ­Pompeii, Italy, was reduced to ash-covered ruins, permanently frozen in time. It was a normal day in A.D. 79 for the residents of Pompeii. Suddenly, the tempestuous volcano Mount Vesuvius erupted, showering the city with ashes, cinders and other debris. Many residents were able to evacuate before the volcanic waste landed. However, those 2,000 people who didn't escape in time were trapped under the ashes­, which almost instantly formed an airtight seal of sorts over the entire city.
The ruins of Pompeii weren't disturbed until they were discovered in 1748 and archaeologists began the excavation process [source: The History Channel]. Archaeologists never expected the near-perfect preservation of the buildings and objects that had been buried for more than 1,500 years. They were even able to create molds of the people trapped underneath the debris. Though their bodies had long since turned to dust, the air pockets where they were trapped remained intact. Once filled with plaster, the molds rendered a striking likeness of the volcano's victims, trapped in various states of evacuation [source: National Geographic].

El Dorado
The pursuit of wealth has long encouraged treasure-seekers to play the lottery, enter sweepstakes and search for pots of gold at the end of the rainbow. However, few legends have elicited as passionate a response as that of El Dorado, the famed (and almost definitely imaginary) city of riches that has eluded explorers for centuries.

The origin of El Dorado, which is Spanish for "The Gilded One," dates back to the 16th or 17th century, when European explorers in South America first heard tales about a fabulously wealthy American Indian chief who was perpetually covered in gold dust [source: National Geographic]. The city -- supposed to be located somewhere in the northern portion of South America -- was said to be chock-full of precious gems and gold. Thousands of explorers have tried in vain to locate this city of riches, and many of them have died in the process from a variety of causes, including disease and starvation.
One of the most famous cases involves Percy Harrison Fawcett, a British explorer who set out in 1925 to find El Dorado, which he named the City of Z. Fawcett and his expedition party entered the jungles of the Amazon, never to be heard from again. Still more explorers have endeavored to find Fawcett's group but have repeatedly turned up dead or empty-handed. Given this track record, even Indiana Jones might encourage El Dorado seekers to buy a scratch-off ticket instead of risking their lives.

Troy
Few epic tales are studied more than "The Odyssey" or "The Iliad," penned by Homer around 800 B.C. These fictional poems describe the Trojan War. The city of Troy was located in what is now modern-day Turkey, sandwiched between Asia and Europe. Because of its accessibility, Troy was a cultural hotbed and ideal trade locale. Homer's epic poems describe how Helen, the stunning wife of Sparta's King Menelaus, allegedly ran off with a Trojan prince named Paris. This affair reputedly caused the Trojan War and earned Helen's reputation as the face that launched a thousand ships. Menelaus launched a huge offensive on Troy, resulting in the war that may have involved a notorious wooden horse, Achilles and a number of other famous tales.

With a history so rooted in legend, it's no wonder that historians were unsure whether Troy actually existed. It's evident that Troy was abandoned following the Trojan War, from 1100 to 700 B.C. It was then resettled and revitalized before it was captured by the Romans in 85 B.C. Soon after, the civilization fizzled out and was left in ruins until its discovery in 1822. Archaeologists have since identified many layers of cities built on top of each other. The stone walls and fortresses present in the sixth and seventh oldest layers are now believed to be the Troy described in Homer's epics, and the legend of the Trojan War is now widely accepted, although its cause is still uncertain.(This song tells the story).

                                                                      


Carthage
Similar to ­Troy, the city of Carthage was situated in a highly coveted spot in the Mediterranean near modern-day Tunisia. Carthage was founded by the Phoenicians (probably around 800 B.C.) as a trading post in North Africa, directly across from the toe of bootlike Italy. Though its prime location brought the city great prosperity, it also caused 150 years of war -- mainly with Rome -- that eventually led to Carthage's demise. The First Punic War (260-241 B.C.) showcased Rome's superior naval tactics and resulted in Carthage's resounding defeat. During the Second Punic War (218-201 B.C.), Carthage battled Rome for rights to Spain and was once again soundly defeated. Rome even managed to outsmart Carthage's legendary military tactician, Hannibal.

Following this devastating loss, Carthage existed as a shell of its former glory until 151 B.C., when Romans noticed the city enjoying a renaissance of sorts. The idea of Carthage prospering made the Romans nervous, so they jumped on the chance to declare war after Carthage violated the terms of a peace accord. This war lasted only a few years and resulted in the total destruction of Carthage and all of its buildings as well as the deaths of thousands of Carthaginians. The city was eventually resettled, but it never fully recovered as a powerhouse. Today, Carthage is a wealthy suburb of Tunisia.

Atlantis
According to­ the Greek philosopher Plato, Atlantis was a bustling society, filled with wealth, architectural marvels and a thriving culture. While Plato's colorful descriptions of Atlantis are widely believed to be fictional, some historians think the city existed, although their guesses as to when and where vary widely. Plato noted that the island of Atlantis disappeared 9,000 years prior to when he wrote about it, but some scholars think this number was transcribed or translated incorrectly because 900 seems more plausible. Some archaeologists have theorized that Atlantis was located in the Greek Islands and was sunk by a volcanic eruption. Still others hypothesize its location to be underwater near the Caribbean, Ireland, South America or even Antarctica [source: National Geographic].

Whether or not Atlantis actually existed, the idea of this utopian city has enthralled many to such an extent that numerous books, movies and documentaries have glamorized it and sought to solve the mystery of its disappearance. As recently as February 2009, an aeronautical engineer made headlines worldwide when he claimed to have found Atlantis using the Google Ocean tool, which allows users to comb through thousands of photos of ocean landscapes. To date, the jury is still out on the matter of whether the underwater city off the northwest coast of Africa is actually Atlantis. [source: Telegraph].

With thanks to How Stuff Works 

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Shakespeare First Folio discovered In French Library


                                                            

A Shakespeare First Folio has been discovered in a library in a small French town where it lay undiscovered for two centuries. 
It is only the second known copy in France of a publication that is seen as one of the most valuable books in the English language and which can sell for millions on the rare occasions a copy comes up for auction. 
The librarian in the northern town of Saint-Omer, near Calais, said he came across the book in September when he was selecting books for an upcoming exhibition on historic links between the local region and England. 
“It was sitting on a shelf alongside other books by English authors,” RĂ©my Cordonnier, who runs the library’s rare books collection, told the Telegraph. 
It was missing the frontispiece and the portrait of Shakespeare that are the hallmark of the around 800 copies of the First Folio, which set down 18 plays for the first time, that were originally printed in 1623, seven years after the playwright's death. 

“That is probably why earlier librarians had identified it as an 18th-century work,” the 35-year-old librarian said. 

“I was trembling when I picked it up and realised what it might be,” said Mr Cordonnier, whose library was opened in 1805 but holds books from the nearby Abbey of Saint Bertin, which dates back to the 7th century and was home to what was seen as the fourth most important library of Western Christendom. 

“I needed to find out if this was a real discovery or if the book had been listed somewhere (in the library’s catalogue) without us knowing about it,” he said. 

He got in touch with Professor Eric Rasmussen from the University of Nevada, an internationally known Shakespeare scholar, who by chance happened to be on a visit to London. 

The professor jumped on a Eurostar train last Saturday and made his way to Saint-Omer, where, according to the town’s mayor, François Decoster, he took no more than five minutes to conclude that it was an authentic copy. 

Professor Rasmussen wrote a book on the First Folio called “The Shakespeare Thefts” detailing his thrilling global hunt for what remains of the initial copies of the book, a favourite for thieves across the centuries. 

He describes “run-ins with heavily tattooed criminal street gangs in Tokyo, bizarre visits with eccentric, reclusive billionaires, and intense battles of wills with secretive librarians,” according to the publisher. 

The name Nevill was written on the copy of the book in Saint-Omer and the librarian believes he may have been one of the many English students who attended a Jesuit college in the town, which centuries ago was one of the most important towns in northern France. 

There are only around 230 copies of the First Folio - titled “Mr William Shakespeare’s Comedies, Histories & Tragedies. Published according to the True Originall Copies” - known to exist in collections or in private hands around the world. 

Without the First Folio edition, much of Shakespeare’s work - including works such as Julius Caesar, As You Like It, Twelfth Night or Macbeth - might have been lost to the world as 18 of his plays remained unpublished at his death in 1616. 

The First Folio was published by two of the Bard’s fellow actors and closest friends and includes 36 of Shakespeare’s 38 known plays. 

“We already have one of the 49 existing copies of the Gutenberg bibles in our library, and now we have this other invaluable book,” said Mr Decoster. 

The library says it has no plans to sell the book but plans to display it as the centrepiece of its forthcoming exhibition of its rare books by English authors. 

The only other known copy of a First Folio in France is in the National Library in Paris. 

A First Folio edition fetched £2.8million at auction in London in 2006. Another sold for 5.6 millions dollars en 2001 in a Christie’s sale in New York. 
By Rory Mulholland
With thanks to The Telegraph UK
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Hatshepsut: From Queen to Pharaoh


                                                                



From The Met:

Cleopatra may be the most famous woman of ancient Egypt, but far more significant was Hatshepsut, a female pharaoh who reigned for nearly twenty years in the fifteenth century B.C., during the early period of the New Kingdom. After acting as regent for her young nephew-stepson Thutmose III, Hatshepsut assumed the title of king and exercised the full powers of the throne as senior co-ruler with Thutmose. In accordance with Egyptian ideology and representational tradition, she was often depicted as a male king. Hatshepsut's reign, fully accepted by a flourishing Egypt, introduced a period of immense artistic creativity. Some twenty years after her death, however, monuments bearing her image were ruthlessly defaced, and her name was erased from historical accounts.

                                                                   

All memory of this fascinating history in pharaonic lore was lost until mid-nineteenth century, when Hatshepsut was rediscovered by Egyptologists and her place in history restored. Excavation began on her most magnificent surviving monument—the temple she built at Deir el-Bahri near the Valley of the Kings, across the Nile from modern Luxor. Thousands of stone fragments found in pits near the temple were reassembled into magnificent statues of Hatshepsut, some of colossal proportions. Discoveries continue even today, and, accordingly, scholars' opinions about the historical role of this controversial female have continued to change. The ongoing debate about her reign has inspired the many authors of this volume, which accompanies a major exhibition at the Fine Arts Museums of San Francisco/de Young, The Metropolitan Museum of Art in New York, and the Kimbell Art Museum in Fort Worth. Recent research on Hatshepsut and the nature of her kingship is presented alongside wide-ranging discussions of the rich artistic production that marked her reign.

Essays by leading Egyptologists investigate the circumstances that allowed or compelled Hatshepsut to become king; the relationship between Hatshepsut and Thutmose III during their joint reign; powerful figures in the royal court, particularly Senenmut, Hatshepsut's architect and steward; Hatshepsut's adoption of the Egyptian conventions of royal representation in order to bolster her legitimacy, as well as her use of architecture to make political statements; and her successors' motivation for obliterating her memory. 

                                                                    

The glories of the art produced during Hatshepsut's reign are also fully explored, with discussions of the artistic results of Egypt's contact with the neighboring cultures of the Near East, Nubia, and the Aegean, and of the development of the styles displayed in monumental royal sculpture, reliefs, ceremonial objects, exquisite personal items of everyday use, and a dazzling array of jewelry.

 Works in the exhibition are illustrated in full color and analyzed in the two hundred catalogue entries. Hatshepsut: From Queen to Pharaoh is an important investigation into the impact of Hatshepsut's reign on the history, culture, and splendid artistic output of ancient Egypt.

Picture and lots more information at The Smithsonian 

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The Look Of Love: It’s All In The Whites Of Our Eyes


                                                                           





THE eyes are windows to the soul. What could be more obvious? I look through my eyes on to the world, and I look through the eyes of others into their minds. 
We immediately see the tenderness and passion in a loving gaze, the fear and malice in a hostile glance. In a lecture room, with hundreds of students, I can pick out exactly who is, and isn’t, paying attention. And, of course, there is the electricity of meeting a stranger’s glance across a crowded room.

But wait a minute; eyes are balls of jelly set in holes at the top of a skull. How could those glistening little marbles possibly tell me about love or fear or attention?

A new study in the Proceedings of the National Academy of Science suggests that our understanding of eyes emerges very early. Human eyes have much larger white areas than the eyes of other animals and so are easier to track. When most people, including tiny babies, look at a face, they concentrate on the eyes. People with autism often don’t pay attention to eyes in the same way, and have trouble meeting or following another person’s gaze. All this suggests that we may be adapted to figure out what our fellow humans feel from their eyes.

If that’s true, even very young babies may detect emotions from eyes, especially eye whites.

The researchers, Sarah Jessen of the Max Planck Institute and Tobias Grossmann of the University of Virginia, showed seven-month-old babies schematic pictures of eyes.

 The eyes could be fearful or neutral; the clue to the emotion was the relative position of the eye whites. (Look in the mirror and raise your eyelids until the white area on top of the iris is visible, then register the look of startled fear on your doppelganger in the reflection.) The fearful eyes could look directly at the baby or look off to one side.

As a comparison, the researchers also gave the babies exactly the same images to look at but with the colours reversed, so that the whites were black. They showed the babies the images for only 50 milliseconds, too briefly even to see them consciously. They used a technique called event-related brain potentials, or ERP, to analyse the babies’ brainwaves.
The babies’ brainwaves were different when they looked at the fearful eyes and the neutral ones, and when they saw the eyes look right at them or off to one side. The differences were particularly clear in the frontal parts of the brain. Those brain areas control attention and are connected to the brain areas that detect fear.

When the researchers showed the babies the reversed images, their brains didn’t differentiate between them. So they weren’t just responding to the visual complexity of the images; they seemed to recognise that there was something special about the eye whites.

So perhaps the eyes are windows to the soul after all. I think that I just look out and directly see the table in front of me. But, in fact, my brain is making incredibly complex calculations that accurately reconstruct the shape of the table from the patterns of light that enter my eyeballs. My baby granddaughter Georgiana’s brain, nestled in the downy head on my lap, does the same thing.

The new research suggests that my brain also makes my eyes move in subtle ways that send out complex signals about what I feel and see. And, as she gazes up at my face, Georgie’s brain interprets those signals and reconstructs the feelings that caused them. She ­really does see the soul behind my eyes, as clearly as she sees the table in front of them.

By Alison Gopnik

With thanks to The Australian