June 21, 2014

Have We Run Out Of Things To Invent?


                                                             



I don't think so.
I think human ingenuity, like human stupidity, is infinite!

ROBERT Gordon, a curmudgeonly 73-year-old economist, believes our best days are over. After a century of life-changing innovations that spurred growth, he says human progress is slowing to a crawl. 
 
Joel Mokyr, a cheerful 67-year-old economist, imagines a coming age of new inventions, including gene therapies to prolong our life span and miracle seeds that can feed the world without fertilisers.

These big-name colleagues at Northwestern University in Chicago represent opposite poles in the debate over the future of the 21st century economy: rapid innovation driven by robotic manufacturing, 3D printing and cloud computing, versus years of job losses, stagnant wages and rising income inequality.

The divergent views are more than academic. For many Americans, the recession left behind the scars of lost jobs, lower wages and depressed home prices. The question is whether tough times are here for good. The answer depends on who you ask.

“I think the rate of innovation is just getting faster and faster,” Mr Mokyr said over noodles and spicy chicken at a Thai restaurant near the campus where he and Mr Gordon have taught for four decades.

“What’s the evidence of that?” snapped Gordon. “There isn’t any.”

The men get along fine when talk is limited to, say, faculty gossip. About the future, though, they bicker constantly. When Mokyr described life-prolonging medical advances, Gordon cut in: “Extending life without curing Alzheimer’s means people who can walk but can’t think.”
Gordon landed at Northwestern from the University of Chicago in 1973, a year before Mokyr arrived there from Yale after finishing his PhD. Their tit-for-tat repartee makes them popular speakers — for economists, at least. Gordon recently began charging as much as $US20,000 for US appearances — a fee, he said, dictated by his new booking agent.

Even there, the men are at odds. “I am a rank-and-file academic, not a basketball star,” Mokyr said. “I have neither a literary agent nor a speaker bureau. I charge what they pay me. If it’s not enough I don’t go.”

The professors headlined a Bank of Korea event in Seoul earlier this month. “We always go mano-a-mano,” Mokyr said. “But we often end up talking about different things. Bob’s a macro­economist, I’m an economic historian.”

Mokyr has long studied how new tools have led to economic breakthroughs. For example, how the development of telescopes ­allowed for rapid advances in astronomy. History makes him certain his colleague is wrong.

Gordon’s ideas, in fact, fly in the face of modern economic orthodoxy. Since Nobel economist Robert Solow first argued in the 1950s that growth was driven by new technology, most economists have embraced the idea. Progress may be uneven, according to this view, but there is no reason to expect the world to run out of ideas.

“Bob says the low-hanging fruit has been picked, because we won’t invent indoor plumbing again,” Mokyr said. In speeches, Gordon often displays images of a flush toilet and iPhone and asks: which would you give up?

Mokyr said many economists before Gordon had proclaimed the end of progress, but these pessimists had always been proved wrong. It was a popular theme during the Depression, he said, but modern economists now recognised the 1930s as a period of rapid technological progress with such advances as the development of jet engines and radar.

Today, Mokyr said, fast computing was a new tool that would open the way to new inventions in the future.

The darkness of Mokyr’s family history contrasts with his optimism for the future. His parents were Dutch Jews who survived the Holocaust. His father, a civil servant, died of cancer when Mokyr was a year old. He was raised by his mother in a small apartment in the port city of Haifa in Israel.

“My mother was not an optimist,” he said. “She had lived a very tough life.”

Gordon, the more famous of the two men, has the credentials to buck conventional wisdom. His parents and a brother were PhD economists. His father, an expert on business cycles, taught at the University of California, Berkeley, for decades. Business Week called them “the flying Wallendas of economics”, after the acrobatics family. Gordon wrote a widely used macroeconomic textbook and has served for more than three decades on a committee of the National Bureau of Economic Research that determines when recessions begin and end.

If anything, his family should have made him an optimist. Gordon’s father grew up grindingly poor, at one point supporting three younger brothers after his own father died; his eventual success mirrored the larger transformation of the US into the world’s richest country.

“His generation saw the move from crowded tenements in the 1920s to suburbia in the 1950s — with everyone having a yard and a car,” Gordon said, a leap showing how much progress had since slowed.

Gordon sees a hobbled US economy ahead. Americans are getting older, leaving too few workers to support the ageing population. The problem is even worse in other Western economies. An ageing citizenry is among a list of troubles, including the declining share of working-age men with jobs; stagnant rates of Americans earning college degrees; jobs lost abroad and high government debt. The biggest obstacle, he said, was growing income inequality.

To compensate, Gordon said, economies needed technological advances. The problem was that the biggest breakthroughs — such as electrification, or the discovery of antibiotics — were behind us.

Electricity changed how people lived and worked, and it spawned hundreds of new industries. The technology that allowed people to communicate instantly or travel quickly over long distances were 19th and 20th-century innovations.

More recent inventions — including the internet — would not pack the same punch, he said: “The rapid progress made over the past 250 years could well turn out to be a unique episode in human history,” he said.

Mobile phones, he said, were just a refinement of the telephone. “Look at what an ideal kitchen looked like in 1955 — it’s not that different than today,” he said. “It’s nothing like moving from clothes lines to clothes dryers.”

Cars also illustrate how rapid advances have petered out in recent decades. A century ago, the Ford Model T, with its 20-horsepower engine, reached a top speed of 70km/h. By the mid-1950s, Gordon said, his father had a Chevrolet station wagon that was five times as powerful. More than 50 years later, he has a Subaru station wagon that was comparable with his father’s Chevy in size, speed and cargo capacity.

Gordon said his ideas began taking shape between semesters at graduate school. He worked during the summer of 1965 for a team of economists analysing the dazzling productivity growth that began around 1920 and ran through World War II and the post-war boom.
Except for an upturn in the 1990s, growth has been tepid ever since.

“Everyone has looked for a big overarching factor to explain this,” Gordon said.

“But it occurred to me, it could be as simple as that we had run out of the great inventions.”
Gordon said his ideas evolved from there. In 2000, he published a paper saying that computer technology, hailed as the driver of the “new economy”, was far less impressive than earlier big inventions. He generated more controversy with a 2012 academic paper titled “Is US Economic Growth Over?”

The paper included a dire prediction: the economy would grow less than half as fast as the remarkable 2 per cent average it notched between 1870 and 2007.

“Americans got used to their standard of living doubling from that of their parents. No more,” he told investment managers in Germany this year.

If he is right, the standard of living for the average American — measured in per capita income — would in the future take 78 years to double, compared with the 35 years it took between 1972 and 2007. The wealthiest 1 per cent, on the other hand, could double their standard of living in as little as 23 years, he said.

Other economists have voiced worries about stagnating growth, but none quite as sweeping. Tyler Cowen of George Mason University in a 2011 book described a technological plateau that slowed US growth. Cowen has softened his stance lately, noting that such developments as the shale gas boom had improved the long-term outlook. Larry Summers, former chief economic adviser to President Barack Obama, told a gathering of the International Monetary Fund last year that the US and other advanced economies faced a prolonged period of extremely slow growth known as secular stagnation.

But in an interview, Summers said he did not share Gordon’s belief that innovation had stalled. He agreed that the benefits of meagre economic growth “will not be hugely felt by the middle class”.

Other experts side with Mokyr. Timothy Taylor, an economist at Macalester College and editor of the Journal of Economic Perspectives, said, “People like Bob Gordon are making an argument that’s been heard repeatedly for the last 150 years.”

Former Fed chairman Ben Bernanke, in a commencement speech last year, told graduates of Bard College at Simon’s Rock, “Both humanity’s capacity to innovate and the incentives to innovate are greater today than at any other time in history.”

Criticism from Mokyr and others has prompted Gordon to focus more on economic headwinds. Even if the pace of innovation remained unchanged, he said, current obstacles were enough to support his projections.

Gordon is now writing Beyond the Rainbow: The Rise and Fall of Growth in the American Standard of Living, one book in series on economic history being overseen by Mokyr as chief editor.

Much of Gordon’s work focuses on an economy’s output. Mokyr, meanwhile, is more interested in how new inventions improve the quality of life in ways that don’t show up in traditional measures: new medicines that treat chronic pain or allow older people to stay active years longer. A hip replacement, he said, let him keep riding his bike to and from work.

“For Bob, it’s all about the measure of input and output — especially output,” said Mokyr.
That was why the ageing population was such a big problem for Gordon, since retired people stop producing.

Gordon countered that many of the innovations Mokyr anticipated — such as new technology to clean air and water pollution — would solve problems created by past economic growth. Those should not be counted the same way as breakthroughs that added to output, he said.
“Maybe the problem is that we didn’t measure growth in the past correctly,” Mokyr retorted, “because we didn’t account for the costs.”

The two men agree on one point. “One of the main missions I have in life is to point out to my students how lucky they are to be born in the 20th century,” Mokyr said.

“Compared to what life was like 100 or 200 years ago, we’re incredibly fortunate.”
ADDITIONAL REPORTING: MICHAEL J. CASEY

By Timothy Aeppel

With many thanks to The Australian

                                                                 


See also:
"10 Awesome New Inventions You'll Never Hear About"                                                            
Claude Shannon Jr: The Greatest Genius No One Has Heard Of
John von Neumann: This Hungarian-American Mathematician May Have Been Smarter Than Einstein
Great Minds: Filippo Brunelleschi
Great Minds: Leonardo da Vinci
The Genius of Nicola Tesla 
Hedy Lamarr - Inventor of Wi-Fi. 
Six Important Things That Were Invented During The Middle Ages 
Li-Fi Has Been Tested And It's 100 Times Faster Than Wi-Fi




The 20 Best Gram Parsons Songs To Banish The Blues


                                                                 



“A VOICE THAT WOULD break and crack but rise pure and beautiful and full of sweetness and pain.” – Emmylou Harris describes her friend and musical soul mate, Gram Parsons, in the liner notes for 1976′s Sleepless Nights.

Just 26 when he died in September 1973, the man born Cecil Ingram Connor III in Winter Haven, Florida on November 5, 1946 packed a lot into his quarter century. 

His commitment to blending his beloved country music – this was the man who taught Keith Richards the difference between the Nashville and Bakersfield sounds – with the world of rock saw him work his way through The International Submarine Band, The Byrds and, most significantly, The Flying Burrito Brothers, before recording two solo albums that have become touchstones for those seeking the full-powered hit of mythic American music.

                                                                   

 
He may not have had the best voice in the business, but with master musicians like Chris Hillman and Emmylou Harris at his side, the ache, tenderness and vulnerability of the country boy with the hippie threads can really be something to behold.

To mark 40 years since the release of Grievous Angel (The Gilded Palace Of Sin celebrates 45 years of glory next month) we decided to revisit 20 classic Gram Parsons performances. From ISB, to The Byrds and Burritos, through GP, Grevious Angel and beyond…"

This list compiled by Ross Bennett . 

Comments below are mine but I would definitely include "Return Of The Grievous Angel" and "Love Hurts" as these two songs are very high on my list of all-time favourite songs. Sadly there is not very much good footage around, other than the top You Tube clip.

                                                                        
1. Luxury Liner

2. Hickory Wind 
Definitely Gram's signature song.

3.Christine's Tune (Devil In Disguise).

4. Do Right Woman
With harmonies by David Crosby.

5. Sin City
Co-written by Chris Hillman.

                                                                   


6. Hot Burrito #1 (see clip above)
The most gut-wrenching vocals,IMHO!

7. Older Guys
Bernie Leadon on guitar with this track. He would later become one of The Eagles.

8. A Song For You
With the incredible Emmylou Harris.
                                                             
9.She
                                                             
10. How Much I've Lied



                                                                    
Pictures previously cited in posts below.

Some related posts and try the search function top left:






Keith Richards - His Life with the Rolling Stones and His Book




Singer Jordie Lane finds the soul of the Grievous Angel: Gram Parsons









June 18, 2014

New Synthetic Diamonds Are Hardest Gems Ever Created


                                                                   


                                                                        
Diamonds are the hardest naturally occurring minerals known to man. Even so, scientists are working to make them even tougher, in order to use the sparkling gems as tools for cutting.

Now, a team of researchers, led by Yongjun Tian and Quan Huang at Yanshan University in China, has created synthetic diamonds that are harder, meaning they are less prone to deformation and breaking, than both natural and other man-made diamonds.

To create these tougher-than-steel diamonds, the researchers used tiny particles of carbon, layered like onions, and subjected them to high temperatures and pressures. The resulting diamonds had a unique structure that makes them more resistant to pressure and allows them to tolerate more heat before they oxidize and turn to either gas (carbon dioxide and monoxide) or ordinary carbon, losing many of their unique diamond properties. [In Photos: 13 Mysterious & Cursed Gemstones

First, a bit about diamonds: Gem-quality diamonds are single crystals, and they are quite hard. But artificial diamonds used on tools are harder still. That's because they are polycrystalline diamonds, or aggregates of diamond grains called domains, that measure a few micrometers or nanometers across. The grains help to prevent the diamond from breaking, as the boundaries act like small walls that keep chunks of diamond in place. The smaller the domains are, the stronger the diamond.

                                                                    


Tian's team used the onionlike carbon nanoparticles to make diamonds with domains that are a few nanometers in size and are mirror images of each other. Such "nanotwinned" crystals are much harder than ordinary diamonds, by a factor of two.

The team tested the artificial diamond's hardness by pressing a pyramid-shaped piece of diamond into the nanotwinned diamond. Tian's group made a small indentation in their artificial diamond, applying pressures equivalent to nearly 200 gigapascals (GPa) — about 1.9 million atmospheres. An ordinary natural diamond would crush under just half that pressure.

The team also tested how hot the nanotwinned diamond could get before oxidizing. In two different tests, they found that the ordinary diamond began to oxidize at about 1,418 and 1,481 degrees Fahrenheit (770 and 805 degrees Celsius), depending on the testing method. The nanotwinned diamonds didn't oxidize until they reached 1,796 or 1,932 F (980 or 1,056C).

But not everyone is convinced by these results. Natalia Dubrovinskaia, a professor of material physics at the University of Bayreuth in Germany, said she doesn't trust the pressure tests. If what Tian's group is reporting is true, the indenter should have broken, because the material of the indenting tool is not as hard as the nanotwinned diamond, she told Live Science in an email.

Tian disagreed with Dubrovinskaia's assessment of the indenter. He said that it is possible to measure pressure on the nanotwinned diamond because the indenter was pushed from a vertical position and the amount of shearing force on it wasn't enough to damage it.

Tian and Dubrovinskaia have "sparred" before; last year, the Yanshan lab said it demonstrated a similar phenomenon, making a form of ultrahard cubic boron nitride. At the time, Dubrovinskaia voiced similar concerns.

Tian, meanwhile, stands by his work. "Indentation hardness of any material can be measured reliably using [a] diamond indenter when the indenter axis is exactly perpendicular to the smooth surface of [the] tested sample," he said.

Another scientist, Ho-Kwang Mao, of Argonne National Laboratory in Illinois, thinks Tian's work is valid; he noted that an indenter could reliably measure the hardness of materials much harder than itself.

In addition, the novel part of the work is that such a hard material has been created in a way that can be readily reproduced. "They created a bulk material," Mao said. "They succeeded in making this and making it harder than diamond — that's novel."
The new study is detailed in the June 12 issue of the journal Nature.

By Jesse Emspak 

Many thanks to Live Science 

Follow us @livescienceFacebook Google+. Original article on Live Science.


Some related posts:

Why Diamond Engagement Rings Are A Scam 
 "Pink Star" Diamond sells for record $89m
Elizabeth Taylor's famous pearl sells for $11.84m at NYC auction










Elizabeth Taylor Quotes
Petra Diamond Miners in South Africa Unearth a ‘Magnificent’ and ‘Exceptional’ Discovery At Cullinan
Evidence of Diamonds in Antarctica
Argyle Diamond Jewellery Collection Tells A Dreamtime Story
Cartier Exhibition Features Pieces Once Owned By Elizabeth Taylor and Grace Kelly
The Millennium Star Diamond
The Most Expensive Coloured Diamonds in the World
 The Royal Jewels
Kashmir Sapphire Ring Fetches $7.3 Million At Auction
Argyle Diamonds: Pretty In Pink 
‘Fascination’: Graff’s $40 Million Diamond Transformable Watch 
The Rare ‘Blue Moon’ Diamond Is All Set To Become The Most Expensive Jewel, When It Goes Up On Sale Pink Diamond Could Fetch $28 million
 ‘Fascination’: Graff’s $40 Million Diamond Transformable Watch
How To Make Perfect Diamonds In The Microwave 
 

World’s Second-Largest Diamond Found In Botswana
A Brand New Phase Of Carbon Has Been Discovered
Padmanabhaswamy Temple Treasure: Worth $22 Billion 
The Virgin Rainbow: World's Most Beautiful Opal
Pakistan Claims Koh-i-Noor Diamond
Australian Company Lucapa Finds Huge Diamond In Angola
Argyle Violet Diamond Expected To Fetch Up To $4m At Auction
The Lesedi la Rona Diamond Could Fetch $US70m










June 15, 2014

The Top 10 Australian Films Of The Past 50 Years


                                                             


                                                                
This list was complied by film critic Evan Williams and I agree with his assessments in general.

There have been many, many more great Australian movies made, for example "My Brilliant Career" and "The Man from Snowy River" which I really enjoyed. 

Here's a list of all Australian movies. I am sure you can compile your own list of favourites, or those that you consider should be in a top ten list.

FROM its early days as an underground art form, battling against the new behemoth television and postwar censorship, to its current form as a global player, the Australian film industry has come a long way.

Here, critic Evan Williams list in ascending order his top 10 Australian films of the past 50 years. 
10. The Sapphires (2012) — Wayne Blair’s irresistibly likable film is about four Aboriginal girls who make it big as a singing group and perform for coalition forces in Vietnam. Our best and most authentic musical, with an exhilarating soundtrack and some sober reflections on the stolen generations.

9. Wake in Fright (1970) — A sensitive schoolteacher finds himself trapped in a vortex of booze, rowdyism and grog-fuelled violence in director Ted Kotcheff’s nightmarish vision of life in outback Australia. Masterly filmmaking, powerful and disturbing.

8. Breaker Morant (1980) — Based on real events during the Boer War, Bruce Beresford’s film is part war movie, part courtroom drama — a savage indictment of unthinking militarism and British colonial arrogance, brimful of passion and indignation.

7. Gallipoli (1981) — Peter Weir’s masterpiece is not so much an account of Australia’s most famous military engagement as a poetic meditation on the waste and futility of war itself, as seen in David Williamson’s screenplay. Mel Gibson makes an unforgettable follow-up to his first Mad Max film.

6. Newsfront (1978) — With its striking blend of live action and archival footage, Phillip Noyce delivers an affectionate meditation on Australian life and social attitudes as seen through the eyes of two old-style newsreel cameramen. (David Stratton once named it his top Australian film.)
5. Picnic at Hanging Rock (1975) — Peter Weir’s mysterious and haunting fable looks at transcendental themes of time and consciousness when a party of schoolgirls disappear during a rock-climbing excursion in Victoria. Unforgettably strange and beautifully accomplished.

4. Animal Kingdom (2010) — David Michod’s internationally-acclaimed debut feature explores toxic bonds of love and rivalry within a Melbourne gangland family and helped revive the international career of Jackie Weaver. Uniquely intense and frightening.

3. The Piano (1993) — Jane Campion’s stunning film, set in a remote colonial outpost of New Zealand against a background of contending cultures, won the Palme d’Or at Cannes on its first screening and is among the most bizarre and beautiful love stories the cinema has given us.

2. The Chant of Jimmie Blacksmith (1978) — Fred Schepisi’s film of Thomas Keneally’s novel is a harrowing indictment of racial prejudice, powerful and unflinching, with a memorable performance from young Tommy Lewis as a part-Aboriginal boy growing up in rural Australia.

1. Lantana (2001) — Our finest contemporary drama. Ray Lawrence’s timeless and moving film, based on Andrew Bovell’s play, gives us four interlocking stories of marital love and stress linked by a central mystery. Measured, contemplative and rich in truthful insight.

Some additional comments from Evan Williams:


Underground to Oscar: 50 years of Australian film



[....]

Our one big commercial success of the 60s was They’re a Weird Mob, based on John O’Grady’s novel and funded by the Rank Organisation in Britain. Looking back, it is hard to believe that an industry that produced the world’s first full-length feature film, The Story of the Kelly Gang in 1906, should somehow have disappeared without trace.(clip below of the remains.)

                                                                     


[....]

It was true. The 1970s and early 80s saw a spectacular burgeoning of Australian production, with a succession of iconic titles — Nicolas Roeg’s Walkabout (1971), Ted Kotcheff’s Wake in Fright (1971), Peter Weir’s Picnic at Hanging Rock (1975), Henri Safran’s Storm Boy (1976), Bruce Beresford’s great historical drama Breaker Morant (1980), and Peter Weir’s magnificent Gallipoli (1981) — the first Australian film I reviewed in these pages.(trailer below)

                                                                   

[....]


Generous tax concessions ensured another boom for the industry in the 1980s and 90s. The notorious Section 10BA of the income tax act allowed investors to claim deductions greater than the amounts they had invested in a film. But someone actually had to make a film to claim the benefit, and any old film would do. So most 10BA films were rubbish, but the industry, its confidence boosted, thrived on its own resources. The 80s saw some notable box-office triumphs, among them the Mad Max films, which launched Mel Gibson’s international career, and Peter Faiman’s blockbuster comedy Crocodile Dundee (1986), which launched Paul Hogan’s.


The 90s marked other changes, from smaller, quirkier films such as Baz Luhrmann’s Strictly Ballroom (1992), P.J. Hogan’s Muriel’s Wedding (1994), Rob Sitch’s The Castle (1997) and Stephan Elliott’s The Adventures of Priscilla, Queen of the Desert (1994) to The Piano (1993), Jane Campion’s haunting love story set in New Zealand. The 21st century has brought such classics as David Michod’s gangland drama Animal Kingdom (2010) and Ray Lawrence’s Lantana (2001), based on Andrew Bovell’s play. I rate it the best Australian film of all.

                                                                

[....]


It’s an ever-lengthening list — Geoffrey Rush, Nicole Kidman, Eric Bana, Russell Crowe, Hugh Jackman, Rose Byrne, Judy Davis, Mia Wasikowska, the late Heath Ledger. 
My apologies to all whose names I have overlooked. And my apologies to the many filmmakers whose work I have unjustly neglected. Cate Blanchett’s Oscar speaks for all of you.
With thanks to The Australian.

Related: 
Jessica starred in "The Sapphires".
Baz has gone on to greater heights with "Moulin Rouge" and "The Great Gatsby".
Although "A Fortunate Life" is a miniseries there is an excellent section on Gallipoli in it. 
Similarly "ANZACS" is an excellent miniseries about Gallipoli and Australia's involvement in WW1. 

Many great mini-series were made in the time-frame mentioned, and beyond.
A list of those is here.