September 03, 2014

10 Historically Inaccurate Movies


                                                                    



This should come as no surprise to anyone. And there must be even more examples from all over the world. As the writer says "based on a true story" is certainly compelling, but remember what the word "based" really means. Still, many are fun to watch, and it is interesting that this selection spans many decades.
Something about the words "based on a true sto­ry" flashing across the screen has the ability to capture a viewer's attention unlike anything else. History is full of noteworthy people and events that are just ripe for the screenwriter's picking and often result in hugely successful movies. However, try as they might, filmmakers who attempt to portray anything about the past very seldom satisfy their harshest critics. And we're not talking about Roger Ebert.

 Profession­al film reviewers are tame compared to the wrath of nit-picking historians.

One could theorize that there is a purpose to taking creative license with history. After all, historical events and people aren't known for being simple, clear-cut or morally unambiguous. A film allows us to boil down history into something more easily digestible and ethically black and white. Other times, filmmakers want to make a point about a modern issue or ignite wartime patriotism by invoking analogous events of the past, even if that means bending details.

Some historians, for all their complaints, actually give filmmakers credit for generating interest in history in a way that history books are rarely able to do [source: Ward]. Filmmakers frequently admit their lapses in historical correctness but claim to have captured the spirit of the truth. Nevertheless, when a filmmaker inaccurately portrays a beloved historical person or an emotional event, experts are always quick to point it out.
We've gathered 10 movies that many historians find insufferable and others just find laughable.

10. "Pocahontas"
No on­e really complains when Disney waters down the grisly Grimm fairy tales with family-friendly overtones. But although Disney has a reputation for putting its own spin on those tales, the company fueled the ire of critics when it rewrote history.

This happened in 1995, when Disney released its own version of the Pocahontas story. In the Disney film, a romance emerges between the Native American girl, Pocahontas, and the British settler, John Smith. The story reaches its climax when Pocahontas throws herself on Smith to save his life.

Disney's brazen disregard for the truth immediately irked those familiar with the well-known story in U.S. history. Although it may be true, as Smith later said, that Pocahontas intervened to save his life, she was only 10 or 11 years old when she made the gesture -- the film depicts them both as adults. The filmmakers completely fabricated the idea that love blossomed between them, and historians dismiss this idea out of hand.

Smith did, however, befriend the young Native American, and she often visited the Jamestown settlement, sometimes bringing gifts and once saving the settlers from an ambush. She eventually did marry a British man, but it was John Rolfe, not Smith.

Were this film not directed toward children (who are less likely to know the real story), it could perhaps be dismissed as harmless historical fiction. But as it portrays real historical figures, critics complain that "Pocahontas" easily misleads children and interferes with the events they'll later learn about.

9.”JFK”
Conspiracy theories abound regarding the assassination of U.S. President John F. Kennedy. But controversy really ignited in 1991 when Oliver Stone released­ the film "JFK," which posits that one fringe theory surrounding the murder is fact and follows New Orleans district attorney Jim Garrison as he investigates it. The theory in question poses that many parties, including the military, FBI and CIA, were involved in a conspiracy to kill Kennedy (perhaps to stop him from pulling out of Vietnam). It even blames Lyndon Johnson for helping in the cover-up.

Of course, there are those who subscribe to this particular theory or others like it. But, if we're to trust the accepted beliefs of most historians, "JFK" is pure fiction. In addition to that, critics of Stone like Patricia Lambert argue that the filmmaker fabricated events that contradict known facts [source: Normey]. For instance, the movie depicts David Ferrie, one of Garrison's suspects, confessing to assisting in the conspiracy. In reality, argues Lambert, Ferrie adamantly denied involvement and offered to take a lie detector test to prove it. Errors of omission particularly incense critics, such as how Stone left out the fact that Garrison's key testimony was brought on by drugging and hypnosis.

The most scathing comments about "JFK" came from Gerald Ford and David Belin, two prominent members of the Warren Commission (the official body that concluded Lee Harvey Oswald was the lone gunman in the assassination). They declared that Stone's film was "a desecration to the memory of President Kennedy" and "a fraudulent misrepresentation of the truth to the American public" [source: Benoit].

8."Shakespeare in Love"
People are of­ten surprised to learn how little historians know about the most celebrated playwright of the English language, William Shakespeare. Frustrated by the lack of information, some writers have chosen to indulge in conjecture by weaving tales of historical fiction into the knowledge gaps.

One example of such conjecture is the movie "Shakespeare in Love" (1998). In this steamy romance, Shakespeare finds his inspiration for the play "Romeo and Juliet" after falling in love with a young lady who aspires to be an actress. But historians have no reason to think that such a romance inspired Shakespeare's well-known tragedy. In fact, Shakespeare adapted the play's plot from other sources, so the idea that he developed the story gradually and hadn't figured out the tragic ending by the time he was writing the middle (as the film depicts) is highly unlikely.

There is the respected suspicion, however, that a woman of dark complexion -- known to scholars as the Dark Lady -- inspired many of his sonnets. Hence, critics question why the filmmakers didn't instead focus on this more likely romance. On a related note of inaccuracy, some take issue that the movie features no black characters in a time when London had a significant black population [source: Monk].

Others are quicker to forgive the inaccuracy of this film because it's also replete with winking anachronisms. If viewers catch on to these subtle in-jokes, they're probably less likely to take the rest of it seriously and walk away with mistaken ideas about Shakespeare.

7."The Bridge on the River Kwai"
Although h­ailed as a fascinating portrayal of the ethical dilemmas facing Allied POWs held captive by the Japanese in World War II, "The Bridge on the River Kwai" (1957) was seen as a slap in the face to one esteemed, real-life British officer.

The movie centers around the character of British commander Col. Nicholson, a role that earned actor Alec Guinness a Best Actor Oscar. Nicholson arrives in a Japanese POW camp, where the Japanese are forcing the men to build a bridge that will be instrumental in their military tactics. As the highest-ranking Allied officer, Nicholson takes charge of the operation. Much to the surprise of his fellow officers and to the delight of the Japanese commander, Nicholson seeks to improve his men's morale by forcing them to build a solid, well-constructed bridge. Not until the dramatic end does the obsessive Nicholson recognize the folly of assisting the enemy in war and destroy the bridge.

Although his name wasn't Nicholson, Lt. Col. Philip Toosey was the senior British officer who commanded operations for building the Thai-Burma Railway, the inspiration for the movie. Those who knew the real story objected that it tainted Toosey's honorable reputation. Toosey's obsession was not building the bridge, but rather keeping his men alive. His admirers claim he did the best he could to keep his men safe while not giving aid to the enemy.

6. "The Far Horizons"
Many of t­he movies we cover in this list share a common theme: They try to infuse sexual tension and a love story between historical people where no romance really existed. Interestingly, "The Far Horizons" (1955) does something very similar to "Pocahontas." It tries to create this tension between a Native American girl and a white explorer, both of whom are well-known in U.S. history. Something about this formula must carry some resonance with American audiences.

"The Far Horizons" is set about 200 years after "Pocahontas," but it's just as inaccurate. The movie centers on the famous expedition of Meriwether Lewis and William Clark, who were sent by President Thomas Jefferson to explore the Louisiana Territory for the United States. If you're at all familiar with the story, you know that along the way, they encountered a very helpful Native American woman named Sacagawea. In the movie, Sacagawea and Clark fall in love while traversing hostile Native American territory and battling the jealous villain Toussaint Charbonneau.

The only problem is, the movie failed to mention an important historical point: Sacagawea was married to Charbonneau. The explorers hired Charbonneau, a French-Canadian trader, as an interpreter and agreed to let his pregnant wife tag along. She proved extremely helpful to the party but never -- as far as historians know -- made a move on William Clark.

5."Braveheart"
When "Braveheart" came out in 1995, it was an instant success. Director and actor Mel Gibson's portrayal of Scotland's hero William Wallace mesmerized audiences and won the movie five Oscars.

The film is set in 13th-century Scotland, when Wallace returns to his homeland to find it oppressed and taken over by the brutal, pagan king of England, Edward I. After the English soldiers kill Wallace's bride, he becomes enraged and driven to lead the Scottish in a revolt to expel the English. Against all odds, Wallace commands a stunning victory against the English in the Battle of Stirling Bridge. As he continues his revolt, he also has a love affair with Isabella, Edward's daughter-in-law.

King Edward, as far as historians know, never instituted the idea of primae noctis (which allowed the British officers to be the first to deflower a new bride) [source: von Tunzelmann]. Also, the Scottish rebels wear kilts throughout the film, which, according to historians, they wouldn't have sported [source: Barta].

Historians find this conjecture about Wallace and Isabella a little hard to swallow given that, at the time the film is set, Isabella was a baby. Similarly, Edward II is featured as an adult when in reality he was merely 13. Furthermore, the dialogue exaggerates the situation between the English and Scottish in the 13th century. Contrary to what the film portrays, the two countries had enjoyed a general period of peace for about a century beforehand, and the Scottish wouldn't have claimed that the country had never been free [source: Silverblatt].

4."Gladiator"
To his credit, director Ridley Scott employed a thoroughly qualified historian to help him make his film "Glad­iator" (2000) as authentic as possible [source: Winkler]. This is despite the fact that Maximus (the main character portrayed by Russell Crowe) is fictional. And yet the movie, set in ancient Rome, still manages to tick off plenty of historians.

In the film, Emperor Marcus Aurelius doesn't trust his son, Commodus, and instead taps Maximus (an esteemed general) to take over and return Rome to the old Republic. Betrayed, Commodus kills his father and orders Maximus' execution. But Maximus escapes, gets captured by slave traders and ends up as a gladiator fighting for his life in the arena.
Historians scoff at plenty of assumptions in this film, especially the notion that Marcus would have wanted a return to the old Republic. In addition to that, the movie compresses Commodus' 13-year reign into what can't be more than two years. Commodus himself was younger and more physically fit than depicted, married and (not to mention) didn't commit patricide [source: Ward].

                                                                                                                                     

To add to the seemingly endless pile of inaccuracies, the movie features whole battles that didn't happen, large catapults that would never have been lugged into open battlefields, a breed of dog (German shepherd) that didn't exist at the time and Latin inscriptions with incorrect grammar [source: Ward]. Some have even pointed out the anachronism of Roman officers commanding soldiers who are wielding bows and arrows to "fire" (a term that wouldn't have been used until firearms were invented) [source: Washington Times].

3."They Died with Their Boots On"
No list of this kind would be complete without "They Died with Their Boots On" (1941), which film historians cite as the quintessential historically inaccurate film. Historian Alvin Josephy Jr. writes that the movie "runs completely amok" with history [source: Carnes]. The story follows U.S. Civil War hero George Armstrong Custer through his life and military exploits, culminating in the controversial battle that took his life along with the 200 soldiers he led.

First of all, the film exaggerates Custer's war record. It also chalks up his military promotion to an administrative mistake, which it wasn't. Not only that, but the movie depicts Custer turning to alcohol in 1865, when in reality he swore off the stuff after an embarrassing incident in 1862. Modern viewers take issue with the movie's stereotypical, one-dimensional depiction of Native Americans as well, particularly Chief Crazy Horse.

What really irks historians, however, is the film's portrayal of the events leading up to the Battle of Little Bighorn. It whitewashes Custer's motivations for entering into the battle, showing him as extremely sympathetic to the Native Americans and writing an emotional letter that pleads their case. He solemnly marches into battle knowing it's hopeless and makes a sacrifice out of himself. In truth, historians believe Custer not only entered battle rashly and arrogantly, but also without such noble intentions for the Native Americans.

2."Battle of the Bulge"
In W­orld War II, the Battle of the Bulge was a decisive encounter occurring in 1944 between the Allied troops and the Germans in the Ardennes Forest in Belgium. A triumphant Allied victory, it serves as great fodder for Hollywood.

The film titled "Battle of the Bulge" (1965) is set after the invasion of Normandy when the Allied forces have moved through France and into Belgium. Waiting for bad weather to ground the Allied air support, the Germans suddenly launch an offensive on unprepared troops. The Allies are losing and everything seems dismal until Lt. Col. Kiley realizes that the Germans are running out of gas. Using the gas that English-speaking German spies are hoarding, the Allies set the enemy's tanks ablaze when they come to collect their fuel supplies.

Although filming only 20 years after the actual battle, the filmmakers managed to forget a lot of important details. They shot what's supposed to be a bitterly cold Belgian winter in the temperate climate of Spain and made a half-hearted attempt to recreate the cold weather. The film also lacks the hilly and wooded terrain of the real battle. 

The Battle of the Bulge was primarily a tank battle, and historians find the tanks in the movie laughably inaccurate. In addition to being unlike the real Tiger and Sherman tanks used in battle, the newer Korean War-era tanks employed aren't even the appropriate color. And although fuel and resources were an issue in wearing down the Germans, historians claim the real scenario was very different from what was depicted in the ending of the movie [source: Niemi].

The movie incensed former U.S. President and Allied Commander Dwight D. Eisenhower so much that he emerged from retirement to state his disapproval in a press conference [source: Niemi].

1."Pearl Harbor"
Using fictional main characters, "Pearl Harbor" (2001) depicts the dramatic Japanese attack on the United States that triggered the nation's entry into World War II. Although the film used realistic explosions, Pearl Harbor historians were underwhelmed with the historical accuracy.

The story follows U.S. military pilot Rafe McCawley, who leaves behind his country to fight Hitler with the British. After returning to his best friend, Danny, and girlfriend, who are stationed in Hawaii's Pearl Harbor in December 1941, the Japanese attack. Rafe and Danny quickly jump in their planes to shoot down the enemy. The boys survive to fight another day as they are soon sent to bomb Tokyo.

Historian Lawrence Suid has said that the film's action bears little more than a "remote resemblance" to the real event [source: McCrisken]. In addition, Rafe and Danny shoot down dozens of planes during the attack, while the real U.S. pilots hit much fewer [source: Flynn]. What's more, no fighter pilots would've been sent to Tokyo to serve as bomber pilots [source: LaSalle].

Some even more ridiculous inaccuracies amuse historians. For instance, the film lifts a fictional line from the Japanese admiral directly from "Tora! Tora! Tora!" -- a 1970 movie about the attack. Also, the idea that a crippled Franklin Delano Roosevelt would get up from his wheelchair doesn't seem to have any basis in reality [source: LaSalle].

If we've learned anything after perusing this list, it's probably that we should watch even seemingly realistic historical movies with a skeptical eye. 

by Jane McGrath

With thanks to HowStuffWorks

More to think about,unless you have a great knowledge of history - don't take it all at face value! Do some research. It's actually fun. I have noticed history is being re-written on a daily basis.

                                                                    

From Trailers from Hell - The Fall Of The Roman Empire: "Gladiator" was virtually a remake.
   
                                                                     
They don't make 'em like this anymore: those huge sets and cast of thousands aren't computer-generated but absolutely real, and those 1964-era actors are a darn sight more interesting than a lot of those we have on hand today.                                                                    
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10 Historical Movies That Mostly Get It Right
 Long-Lost Peter Sellers Films Found In Rubbish Skip
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The Cathedral of Images: Carrières de Lumières


                                                                   


                                                                       

Like entering in a dream, this spectacle makes visitors immerse themselves into a unique experience of art, sound and light. The old quarries of the magical Val d'Enfer (Valley of Hell) in the south of France, have been hosting audiovisual shows for over 30 years. 
                                                                      











The huge walls of white limestone and the darkness of the wide chambers carved in the rock, are the perfect venue for a display that makes the viewer feel like walking inside the images around him. A massive installation of projectors and speakers creates a phenomenal scenography for exhibitions and performances with impressive results.

In Carrières de Lumières (quarries of light or enlightenment) you can enjoy classical paintings from an unusual perspective.
 

 
By Ra Moon, and pictures from Atlas of Wonders

                                                                   

From You Tube:

Since 1977 the once disused quarry of ‘Carrières du Val d’Enfer’ had provided large scale audio visual displays and shows, due to the research and creation of Joseph Svoboda. In 2011, Culturespaces were commissioned to take over the Carrières and renamed the site “Carrières de Lumières”.

Themed on the History of Art, a series of audio visual shows, live shows, concerts and lectures are now being displayed in the Carrières using a combination of high-performance technology; Including over 60 Optoma projectors.

Multiple surfaces are used in the show to give a sense of depth, whilst spectators are immersed in the projected images. The walls, ceiling and even the ground are completely covered, becoming a vast carpet of images.





                                                           
More on Art: 
Van Gogh On Dark Water Animation
 
This Fake Rembrandt Was Created By An Algorithm  

Fore-edge Painting: Artists Hide Paintings Along The Edges Of Old Books  

Insanely Realistic Pencil Drawings

Found: A Missing Paul Gauguin Painting

Royal Academy of British Art Coming To Town

Australia and the UK Battle Over Historic Paintings Of A Kangaroo And A Dingo

Finally: A Digital Home For Lost Masterpieces

America: "Painting a Nation" Exhibition in Art Gallery of NSW

Chauvet Cave Paintings: Cave Women Left Their Artistic Mark

London exhibition of Australian art holds up a mirror to our nation: more iconic images
 
500 Years of Female Portraits in Western Art

Some Fascinating Pictures featuring Alyssa Monks

Visual Art of the Human Body by Cecelia Webber

Ronnie Wood: His Art and The Rolling Stones

The lost Van Gogh: Painting found in Norwegian attic is confirmed as priceless work by Dutch master

Market Find Turns Out To Be A Lost Faberge Egg

Charles Dellschau: Secrets of An Undiscovered Visionary Artist

Tom Pinch: Time - Lapse Portraits of Paul McCartney and John Lennon

How JMW Turner Set Painting Free 

The Curious Case Of The Renaissance Cockatoo

Images On Andy Warhol’s Old Computer Discs Excite University Students

Human Ingenuity: From the Renaissance to the Age of the Internet - The Sistine Chapel

Katsushika Hokusai: Japanese Artist

Picasso's "Women of Algiers" Breaks Auction Record

Looted Treasures Open Door To The Dark Nazi Past

Long-lost Caravaggio Masterpiece Found In French Attic

Frederic Remington: The Man Who Helped Bring The West To Life 

Loving Vincent: The World's First Fully Painted Film 

Vincenzo Peruggia: The Man Who Stole The Mona Lisa And Made Her more Famous Than Ever

The Isleworth Mona Lisa: A Second Leonardo Masterpiece? 

 Optical Illusions In Art

MC Escher: An Enigma Behind an Illusion                  
                                        
Hidden Degas Portrait Revealed

First Faberge Egg Created For 99 Years Goes To Doha  

The World’s Priceless Treasures

Woman in Gold: Another Biopic For Dame Helen Mirren 

Australia and the UK Battle Over Historic Paintings Of A Kangaroo And A Dingo

Finally: A Digital Home For Lost Masterpieces

Could Anyone Paint A Vermeer?

David Bowie's Personal Art Collection Auctioned Off For $30 Million


September 02, 2014

Is Led Zeppelin's 'Whole Lotta Love' Really The Best Guitar Riff Ever?


                                                                    



My favourite guitar riff is, and always will be, "Start Me Up" by The Rolling Stones, and there's nothing wrong with the opening riff of "Satisfaction" either!
                                                                  
                                                                        

Led Zeppelin's 'Whole Lotta Love' has been named the Greatest Guitar Riff of all time in a BBC Radio 2 poll. The blues riff played by Jimmy Page beat the likes of The White Stripes, Nirvana and Metallica. The riff is also recognised by many as the soundtrack of Top of the Pops throughout the 1970s.      


Page said of the honor: "I'm knocked out by this, because I didn't expect that to happen. I wanted a riff that really moved, that people would really get, and would bring a smile to their faces. But when I played it with the band, it really went into overdrive. There was this intent to have this riff and the movement of it, so it was menacing as well as quite sort of caressing."

In second place was Slash's riff on the Guns N' Roses track 'Sweet Child O'Mine', while AC/DC's 'Back in Black was third. Deep Purples 'Smoke on the Water' came in fourth place while 'Layla' by Derek and the Dominoes came in fifth.

Indie fans will have been pleased to see Johnny Marr in at six for his work on The Smiths' 'How Soon Is Now?', while Nile Rodgers' signature guitar sound on Daft Punk's 'Get Lucky' snuck in at 100. 

As well as being notable for its riff, 'Whole Lotta Love' is regularly ranked amongst the greatest rock songs of all time. 

In 2004, Rolling Stone listed it at No.75 in a list of the 500 Greatest Songs, while Q magazine placed it at No.3 in its list of 100 Greatest Guitar Tracks. 

In rock folklore, 'Whole Lotta Love' was apparently the song Jeff Buckley was singing while wading into the Mississippi River in 1997. He drowned shortly afterwards  .

Article by Michael West
Picture credit:Led Zeppelin in 1973 [Getty/Hulton Archive]
With thanks to Contact Music 

What are the greatest guitar riffs? 

(This article precedes the one above.)

Rock guitar solos? Often they’re overblown, overrated and a waste of precious notes. To those who worship them, I say listen to more jazz – because that’s where the greatest soloists make their living. But the guitar riff? Now we’re talking. That always has been, and in many ways still is, the essence of rock ‘n’ roll – at least of the guitar-bass-drums variety that has thrived since rockers like Chuck Berry showed everyone how it was done.

A riff, when done right, can shape a song and often rule it. It’s a brief statement – sometime only a handful of notes or chords – that recurs throughout the arrangement and can become the song’s central hook. Many of the greatest songs of the rock era begin with a riff – The Rolling Stones’ (I Can’t Get No) Satisfaction, Deep Purple’s Smoke on the Water, Aerosmith’s Walk this Way, The Smiths’ How Soon is Now, Nirvana’s Smells Like Teen Spirit, The Isley Brothers’ Who’s That Lady? And when done that spectacularly, the riff becomes the core of the tune, its most memorable feature when listeners play it back in their head. You can hum a riff or sing it like a melody, and best of all you can rock it on air guitar.

Of course, the riff existed long before rock ‘n’ roll. The notion of a brief, recurring melodic figure to anchor a composition and seduce the listener goes back to classical music – where it was more commonly referred to as an ostinato. It was also commonplace in jazz (see pioneering electric guitarist Charlie Christian’s riff-based playing in Benny Goodman’s sextet in 1939-42).

Deep Purple - Smoke on the Water (with introduction by the band's late keyboardist Jon Lord)

In the ‘40s, blues phrases such as the insistent chug that opens John Lee Hooker’s Boogie Chillen’ and the expressively melancholy riff that recurs throughout T Bone Walker’s Call It Stormy Monday (But Tuesday Is Just as Bad) would produce countless imitations and variations in subsequent decades. In the ‘50s, when electric guitar began to take over as the primary instrument in what became known as rock ‘n’ roll, the riff ruled.

In this era, the progressions invented by riff masters such as Berry or Bo Diddley derived not just from blues and country, but jazz, gospel and even Latin music. This no-rules approach created a huge platform for innovation. The shave-and-a-haircut lick that anchors Bo Diddley is based in part on an Afro-Cuban rhythm, a cowboy lick from a Gene Autry song (Jingle Jangle Jingle) and a thigh-slapping children’s beat (Hambone). Add Diddley’s distortion, and you’ve got something timeless.

Jazz and blues informed the Johnny Burnette Rock ‘n’ Roll Trio’s rocked up version of Train Kept A-Rollin’. It was originally a Tiny Bradshaw jump blues with a scat vocal, but Paul Burlison’s raunchy riff – which matched Burnette’s fierce vocal – put it in overdrive. Mexican folk music filtered into Ritchie Valens’ 1958 classic La Bamba, in which the singer’s muscular guitar demolishes the melody’s wedding-song origins.

Repurposed gospel riffs were everywhere in the ‘50s and ‘60s, a number of them appropriated from the tremolo-soaked guitar vocabulary of Roebuck ‘Pops’ Staples, the patriarch of Chicago’s Staple Singers. In the ‘60s, as they made the transition from gospel to folk, protest and message music, Pops came up with an all-timer, a clarion call that kicked off the Staple Singers’ civil-rights anthem Freedom Highway.

‘Human riff’
Around the same time, The Rolling Stones were charting with The Last Time, a remake of a gospel track they first heard by the Staple Singers, This May be the Last Time. The man who became known as the ‘Human Riff’ – the Stones’ Keith Richards – acknowledges that he nicked the guitar lick from Pops, at a time when it was commonplace for ascendant rockers to channel the blues, country and gospel artists who preceded them.

The Rolling Stones - Start Me Up
Richards soon came up with plenty of ideas of his own by experimenting with distortion and open tunings. Satisfaction is built on a riff so elemental and seemingly simple that Richards thought of it as a throwaway. But that sense of inevitability is among the main reasons the riff and the song are indelible. Richards had dozens of equally terrific moments of inspiration: the acoustic riff played through a cassette-player microphone that opens Jumpin’ Jack Flash, the tremolo-soaked guitar at the centre of Gimme Shelter, the laid back Tumbling Dice riff – in each of these tracks, the guitar sounds as distinctive as the human voice.

The same is true for Led Zeppelin’s Jimmy Page, who had a million of them besides the iconic Whole Lotta Love, from the low-level-of-difficulty-but-still-classic lick that anchors Heartbreaker to the Eastern-flavoured Kashmir. From the classic riff grew the classic song.

Led Zeppelin - Whole Lotta Love
Soul, funk and disco had their own masters of concision on the guitar. Steve Cropper wrote, produced and played on countless hits for Stax Records in Memphis, none more indelible than Soul Man, which earned a mid-song shout-out from the singers: “Play it, Steve!”

Name that tune
Nile Rodgers’ guitar work on Chic’s Good Times is nearly as iconic as the late Bernard Edwards’ bass riff, and 30-plus years later Rodgers also defined Daft Punk’s 2013 single Get Lucky. Rodgers represents the self-effacing nature of what makes a riff great. As essentially a rhythm guitarist, he serves the song rather than the solo.

But that’s not to say a riff can’t have a personality or evoke a time, a place or even a smell. Slayer’s guitar riffs on Raining Blood (1986) personify evil. James Burton’s swampy riff on Dale Hawkins, Suzie Q (1957) felt like it emerged from a Deep South bayou. Roger McGuinn’s 12-string guitar did indeed sound like a rocket ship in the Byrds’ Eight Miles High (1966).

That ability to evoke something with a handful of notes and chords is what makes a riff resonate. Solos can build a guitarist’s reputation, but it’s the riff that burns into our subconscious. You hear the opening notes of Berry’s Johnny B Goode, AC/DC’s Back in Black or The White Stripes’ Seven Nation Army and you are instantly in the song. You remember the time and place when it first blew your mind. And you might even reach for that invisible guitar that is always next to you to begin playing along.

Greg Kot is the music critic at the Chicago Tribune. His work can be found there.

With thanks to the BBC


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